NEW!!!
Luxembourg Slide Show!

It's like a band of 'headhunters' because they are all so HOT!
For band member bios, click on the pictures.
Lance Harrison (USA)
- vocals, slide guitar, lapsteel and guitar
Paco Saval was born in Tierra del Fuego (Land of Fire!), Chile. He was playing and recording on albums at the age of 15, featuring his own compositions, as well as contemporary American and English cover songs. In 1969 Paco moved to Spain to study audio engineering at the University of Madrid. After graduating, he followed his muse to England where he worked and recorded with many bands and Leeds Music School musicians.
In 1978, he moved to Germany and one year later, with the band "Santiago", erupted on the German music scene. Soon after, his first solo album "Borderline" was released. In1980, he became a member of the legendary "Foodband", later known as "Wolf Maahn - Die Desateure"
As producer of "Band of Gold", Paco composed the song "Love Songs Are Back Again", which was in the American TOP 50 Charts for several weeks.
His second solo LP "Pina Colada" also did well.
Paco has been integral in a variety of projects including:
She and the Band, the Soul Cats, Viva la Diva, the RTL Nightshow, "Music for Unknown Movies", Sally Oldfield, Burning Man Blues Band, and many more.
He's also produced TV jingles and advertisements for Pro7, SAT3, RTL, among others.
A talented composer, arranger, keyboardist and singer, Paco lives for the music. As he says, "The most important point is that the music affects the heart and soul. "
Paco is full of heart and soul, and isn't that what it's all about?
Paco Saval (Chile)
- keyboards / vocals
Manju B (Germany) - bass
Ralph Schläger (Germany)
- drums
Manju is a traveler, always has been. His family was transferred "from hither to yon" giving Manju an interesting world perspective. At four years of age, Manju was already seriously studying piano, and soon he began singing in community choirs. His musical search led him to study classical flute and classical guitar. Although his musical studies concentrated mainly on classic technique, he nurtured very diverse musical tastes.
A pivotal moment came in the time of the "Neue Deutsche Welle". While in Zurich, Manju met the band YELLO, and touched a bass guitar for the first time! It just felt natural in his hands; thus his love affair with the bass guitar began. His beginnings include playing in a Spanish pop band and an "instant composition" jam band among others.
Manju studied at "Joe Heider Jazz School"Munich, but later quit because it was "too square". So, in 1987 Manju journeyed to India for both musical and spiritual inspiration. There he played with "Deuter" and with "Airto" the famous percussionist of "Weather Report"
In 1990 he returned to Cologne full of new technique and ideas.
At some point in the path of discovery, one begins to search for the roots and so it is, that Manju fell in love with the blues.
"Everything comes out of the blues and everything will return there."
Born in Nashville, Tennessee, on the same day as the famous nuclear test at Bikini Island, Lance exploded into this world on a musical mission. It began when his mother placed a ukulele in his baby bed. A talented singer, pianist and community activist, she made a huge variety of music available to him from Broadway to Blues, Folk to Classical and everything in between. Lance began playing the piano as soon as he could touch the keys, composing songs at age 5. He was dutifully made to take piano lessons, but soon got kicked out for "playing by ear".
Around age 13, after showing great promise on borrowed guitars, Lance finally got his own for Christmas! Lance, his guitar, and the stereo hi-fi were inseparable. Elmore James, Rolling Stones, Led Zep, Muddy Waters, Little Feat and so many more; track by track, groove by groove, Lance dissected their extensive record collection learning all he could about timing, phrasing, tone and the soul of music. Living on the division line of the "white" and "colored" part of the city, Lance found his musical playmates weren't so plentiful on 'his side' of the tracks, so he crossed them. What followed was an intense school of Blues and Soul. Lance was known for his ability to pick up most any instrument and play it fairly well! The favorite game at parties was to "Stump the Lance" meaning to request a song he couldn't play... he seldom lost.
After countless rock, country and blues bands, theater productions, and musical tours, he returned to Nashville where he met Donna. They started a demo studio in the enormous basement of her house on the first hill overlooking famous "Music Row". Life was good until that fateful day, when all was lost sending this duo out into the world on their musical odyssey. Twelve years and twenty-four countries later, Lance & Donna are still amazing audiences all over Europe receiving countless praises for their honest interpretations of blues classics and fresh, original compositions.
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You'll be the envy of everyone at the clubs and festivals when you show up dressed in the coolest shirts and other gear available only here!
Designed by Lance!


The Lance Harrison Band (USA) plays Original American Southern Roots, Rock & Blues music. This is not a "cover band" playing the same worn out renditions of "Sweet Home Chicago". The Lance Harrison Band plays music that has naturally progressed out of the tradition of southern delta blues to become it's own!

The Spring 2006 debut CD from the Lance Harrison Band "No Rest For The Wicked" received rave reviews. Fully packed with a total of 14 original compositions, this CD reflects the amazing diversity and versatility of this talented composer. Live, the Lance Harrison Band is a fast moving, vibrant show of all original songs peppered with a few classic blues favorites.
bluesnews
Issue 46 Juli - September 2006
"A very remarkable 1st by the Lance Harrison Band."
"For the first time Lance Harrison the man from Nashville, Tennessee, who usually performs with his partner Donna Rae presents us with "No Rest For The Wicked" his own band. And with this album edition he has delivered without an exception songs which are just fun to listen to. Defenders of classic blues may have a different opinion, but it’s Harrison’s approach to folk rock of the west coast which gives the album flair and thru his winking in the direction of pop music, which is critical for this airy and transparent sound frees the CD from any doggedness. He has an unheard talent for developing precise songs thru the roots of blues, which thru pushing grooves are distinguished and easy going. Although he is an extremely versatile guitar player, he is not a friend of endless solos, he ads his short insertion in the service of the composition and shows his class rather in detail. Although through the whole album the listener will be encompassed with a touch of sophistication and understatement, on some songs Harrison operates so close to something that is genuinely called Roots Music. His sound on the lap steel or resonator slide guitar is down to earth even when he is cautious not to let too many edges thru. In this surrounding, I know purists will damn me for this, even a electric piano and a singing fretless bass are exceptionally well suited simply because they fit in the overall picture and underline Harrisons intention, it’s not a typical, but an original blues album, that will probably not just satisfy blues fans. Modest, not insistent, less stormy, more lightfooted, but still powerful and with special musical substance. A very remarkable 1st by the Lance Harrison Band."
(Karl Leitner, bluesnews 46)
Lance (USA) slide guitar / lapsteel / guitars / vocals
Paco Saval (Chile) keyboards / vocals
Manju B (Germany) bass
Ralph Schläger (Germany) drums
< < < For band member bios, click on the pictures to your left.
Press Clippings
"His compositions reveal a genuine personality with a fertile imagination"
- Soul Bag Magazine, FR
"'No Rest For the Wicked' is an album to be recommend not only to blues friends, and to visit a Lance Harrison Band concert is rewarding every time.”
- Neue Rheinische Zeitung
“Although he does feel inspired by blues artists like Muddy Waters and Blind Willie Johnson and you can feel the blues in each of his songs, Mr. Harrison does not wear musical blinders. Each and every song tells its own special story, that also reflects in his music. “I don’t want to just spit out the stories. They’re like people, each one has it’s individual character.”
- bluesnews - 11. Jahrgang Ausgabe 45 April-Juni 2006